Flatland: A Romance of Many Dimensions

This satirical novella describes the fictional two-dimensional world of Flatland to comment on the hierarchy of Victorian culture, but its more enduring contribution is its examination of the nature of dimensions. It narrates about a two- dimensional world occupied by geometric figures, whereof women are simple line-segments, while men are polygons with various numbers of sides. The narrator is a square named A Square, a member of the caste of gentlemen and professionals, who guides the readers through some of the implications of life in two dimensions. The first half of the story goes through the practicalities of existing in a two-dimensional universe. The main points of interest are the Victorian concept of women’s roles in the society and in the class- based hierarchy of men.
Edwin Abbott Abbott was an English schoolmaster and theologian, best known as the author of the novella Flatland. His other literary works include Shakespearian Grammar, Francis Bacon: An Account of His Life and Works, Philochristus, Onesimus, The Kernel and the Husk, Philomythus, The Anglican Career of Cardinal Newman, St Thomas of Canterbury, his Death and Miracles, Johannine Vocabulary, Johannine Grammar and Silanus the Christian.
To
The Inhabitants of SPACE IN GENERAL
And H. C. IN PARTICULAR
This Work is Dedicated
By a Humble Native of Flatland
In the Hope that
Even as he was Initiated into the Mysteries
Of THREE Dimensions
Having been previously conversant
With ONLY Two
So the Citizens of that Celestial Region
May aspire yet higher and higher
To the Secrets of FOUR FIVE OR EVEN SIX Dimensions
Thereby contributing
To the Enlargement of THE IMAGINATION
And the possible Development
Of that most rare and excellent Gift of MODESTY
Among the Superior Races
Of SOLID HUMANITY

CONTENTS

PART I

THIS WORL

1. Of the Nature of Flatland
2. Of the Climate and Houses in Flatland
3. Concernig the Inhabitants of Flatland
4. Concerning the Women
5. Of our methods of Recognizing one another
6. Of Recognition by Sight
7. Concerning Irregular Figures
8. Of the Ancient Practice of Painting
9. Of the Universal Colour Bill
10. Of the Suppression of the Chromatic Sedition
11. Concerning our Priests
12. Of the Doctrine of our Priests

PART II

OTHER WORLDS

13. How I hada Vision oj Lineland
14. How in my Vision I endeatoured to explain the nature of Flatland, but could not
15. Concernig the Inhabitants of Flatland
16. How the Stranger vainly endeavoured to repeal tome
17. in words the mys teries oj Spaceland.
18. How the Sphere- having in vain tried words, resorted todeeds
19. How J came to Space/and andwlzat J saw there
20. How, though the Sphere showed me other mysteries of Spaceland, J still desired more; andwhatcame oj it.
21. How, though the Sphere encouraged me in a Vision
22. How I tried to tead: the Theory of Three Dimensions to my Grandson and with uiha: success
23. How I thm tried to diffuse tlle Theory oJ Three Dimensions by other means, and of the result
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