Religious Movement in Medieval India

Introduction

Origins and Historiography of the Movement Background of the Movement-material basis Bhakti Movement in Southern Regions Bhakti Movement in Northern Regions Bhakti Movement in Western, Eastern and North Eastern Regions Male Bhakta’s Attitude Towards Women Alternative Space for Women in the Bhakti
Movement
Conclusions
The present book, Religious Movements in Medieval India, attempts to explore the Bhakti movement in Medieval India. Beginning from the 7th century A.D. to the 18th century, Medieval India saw a phenomenal outpouring of religiosity in the vernacular oral traditions on themes ranging from dilemmas of every day life to the mysteries of the Universe. Scholars have focused on the analysis of the texts, philosophical constructs or the societal aspects enlightening us with many readings. While any one cannot be reduced to another, the study of Bhakti demands a holistic an integrated approach drawing analytical tools from many disciplines.
The 19th century saw a rediscovery of many sacred texts that contributed to the construction of Hinduism as a monolith. The process of reducing orality to textuality saw the wholesale standardization of very vibrant, dynamic and diverse religious practices. Historically the religious beliefs and practices of the Hindus were too divergent to constitute a coherent, monolith religious system. A historical gaze at Hinduism clearly points out that to view this, as a single religious system is not correct and a distortion of the heterogeneous religious practices of its people. Throughout history alternate spaces have been created and Bhakti was one such medium. The present book is an attempt to explore this movement in its different dimensions in various regions of India. It also highlights the attitude of the male Bhaktas to women and the creation of an alternative space by the women. Using a variety of sources Inscriptions, and literary texts the author has traced the growth and development of the Bhakti movement and shown how the ideologies, social bases and organizational structures in different parts of the country have given a distinct shape to this movement. This is a valuable text for the undergraduate and postgraduate students. This book would be a useful supplement to scholars working on the social and religious history of medieval India. Scholar of religious studies, sociology and women’s studies would find this book of general interest in order to understand the religious traditions of South Asia in all its diversity
Dr. Rekha Pande is a faculty in the department o History, University of Hyderabad, India. She specialize in Medieva Indian History. Her publications include “Succession Struggle in the Delhi Sultanate” (1990) Beginning with politica history, she was branched into agrariar history, the history of religions, socio-economic history, cultural
history and women’s history She has written extensively on themes such as Vaishnavism, Saivism, their socio-economy context, institutions such as temples, land grants, women temple dancing girls, miniature paintings agrarian structure and womens history and published in a large number of National and International Journals. Currently she is involved in two Projects, namely Women in Bhakti and Science and Technology in Medieval India.
Dr. Pande also works in the area of Women’s Studies. She is the author of two books (with Subhash Joshi), Gender Issues in the Police (2000) S.V.P. National Police Academy, Hyderabad, Child Labour in the Beedi Industry (1998). She is also the editor of International Feminist Journal of Politics, IFJP. Routledge Taylor and Francis Group, UK. I Women’s Studies Dr. Pande has published a large number of articles in National and International Journals on Women and Work Child Labour, Women’s Movement, Violence and Women and Globalization. She has been the Project Director of Fifteen Projects and ter consultancies. She has delivered lectures ir Universities in Zambia, Zimbabwe, Nigeria Uganda, Australia, Japan, China, Malaysia Singapore, Taipei, UK and USA. She is also the recipient of the International Visiting Fellowship, University of Bristol, UK.

Contents

    Preface
    Acknowledgements
    1. Introduction
    2. Origins and Historiography of the Movement
       –  Growth of the Bhakti  cult in ancient period
       –  Emergence of Bhakti in South India
       –  Historiography.
    3. Socio-Economic Background of the Movement
       –  Temple building activities.
      –   Homologiation of the God and the King
    4. Bhakti Movement in the Southern Regions 
      –   Vaisnavism-a background.
      –  The Alwars
      –  The Acharyas
      –  Sri Ramanuja
      –  Philosophy of Ramanuja.
      –  Vir Vaisnavism.
      –  The Vedgalai and Tengalai
     –  Sri Vaisnavism during the Vijaynagara period
     –  Annamacharya
     –  Purandar Das
     –  Kanakadas
     –  Saivism-a background 
     –  Vir Saivism
     –  Sources
     –  Basavanna
     –  Mahadevi Akka
     –  Vir Saivism in Andhra
     –  Disintegration and development of social exclusiveness.
     5.  Bhakti Movement in the Northern Regions
    –  Bhakti Movement in the Indo Gangetic Plain
    –  Ramananda
    –  The Nirgun School
    –  Kabir
    –  Rai Das
    –  Dadu Dayal
    –  Sundar Das
    –  Rajjab
    –  Mulla Daud
    –  Malik Muhammad Jayasi
    –  Qutban
    –  Manjhan
    –  The Sagun School
    –  Krishna Bhakti Vallabhacharya
    –  Surdas
    –  Features of Sikhism
    –  Bhakti Movement in Kashmir
    –  Nunda Rishi
    –  Roop Bhawani
    –  Bhakti Movement in Rajasthan
    –  Mira Bai
    –  Sahajo Bai
   6 . Bhakti Movement in Western, Eastern and North Eastern      Regions
    –  Bhakti Movement in Gujarat
    –  Sant Toral
    –  Sant Loyal
   –  Bhakti Movement in Maharashtra
   –  Namdev
   –  Mukata Bai
   –  Janabai
   –  Tukaram
   –  Bahina Bai
   –  Cokhamela
   –   Bhakti Movement in Bengal
   –   Bhakti Movement in Assam.
     7.  Male Bhakta’s Attitude towards Women
     8. Alternative Space for Women in the Bhakti Movement
     9.  Conclusions
    Appendices
    Bibliography
    Index

Preface

Through out the long course of Indian history there have been a large number of religious movements which have sprung from time to time with varying degrees of impact. Historically the religious beliefs and practices of the Hindus were too divergent to constitute a coherent, monolith religious system that has been a part of the imagined image of Hinduism in modern times. This fundamental mismatch between the sacred literature and their modern readings set me off on this endeavour on a path of tracing the history of the Bhakti movement on its own terms. A historical gaze at Hinduism clearly points out, that to view this as a single religious system is not correct and a distortion of the heterogeneous religious practices which has become well entrenched in the academia and our mindset. This exercise has also spurred a school of revivalists who have adopted equally narrow readings by imputing categories into medieval India to present a purely spiritual past obscuring the diversities. Thus the exercise of finding the diversities of language, region, caste, gender and religion and their narratives in the Bhakti was a logical starting point.
Through out history alternate spaces have been created and Bhakti was one such effective medium. It was only in the 19th century that a monolith definition of Hinduism was given basing on textual constructions. The British perception of Hinduism was from the point of view of Christianity. In the divide between the Colonizer and the Colonized it was the western standards and Christianity which became the basis to evaluate Hinduism. There was an inability to view Hinduism on its own terms and conditions. Efforts were made to find notions of Christianity like monotheism, a salvation and notions of after life in Hinduism. Hinduism to the Colonial administration became an imagined religion of a vast majority of the population. This was a concept that never existed in the consciousness of the Indian people them selves. In the rise and flowering of the Bhakti Movement we glean a revealing luminosity on the heterogenous religious practices of the Indian people.
Hinduism can never be viewed as one monolith tradition or a unitary practice. Through out history there have been various independent reform movements which questioned the authority of the Vedas and created an alternative religious space through different modes and means and we find a great representative in the Bhakti movement. India witnessed significant socio-economic changes during the Medieval period giving rise to the emergence of new social groups which could not fit into traditional hierarchy. The Law books were ossified as they did not anticipate these changes which were engendered by large scale socio-economic transformations at a macro-level. The newly emerging social groups attempted to redefine their position and status with in the given traditional hierarchy and spearheaded a movement articulating their demands for restructuring the existing order. By declaring that God dwells in each individual and one could attain God through faith and devotion these saints brought religion to the downtrodden and henceforth marginalized sections of society. Religious movements acquire greater significance as they have a far reaching impact on society as a whole by penetrating even its ideological as well as pragmatic base.
Bhakti as a concept literally means devotion and surrender. For the common person the term is understood in terms of religious devotion only, devotion to a personal God, a God who is conceived as a supreme God for salvation.
The earliest form of devotion was characterized with different kinds of rituals and sacrifices in which Vedic mantras played a significant role. The Brahmans were in the forefront and they initiated all kinds of ceremonies. But gradually the aspect of ritualistic religion began to be overtaken by the concept of Upasana or Bhajana in which Sraddha (devotion or genuine regard) had a fundamental place. The importance of this spirit of Sraddha bhakti or respectful dependence upon God was considered as the first step in the scheme of bhakti cult. It is interesting to see that even in the Vedic times Sraddha bhakti made its influence felt in many directions. Under its wholesome impetus, the Vedic religion progressed from Polytheism to Monotheism, for bhakti essentially stands for broad comprehensive faith in one who is adored.
Though this doctrine is traced to the Brahmanical tradition, in the religious scripture of Gita, it was in the south between the seventh and tenth centuries; this movement became broad based and acquired a huge social support. The great bhakti tradition that began in South India had its origins from the Sangam period. Bhakti or devotion appears for the first time in the literary accounts like paripadal and Tirumurukarappadai as the central concept which was to be later developed more fully by the Alvars and Nayanars and elaborated in the Vaishnava and Saiva canonical texts of medieval times. It was the Acharyas who provided a philosophical basis for this movement.
Of the four ways of attaining God, Bhakti is considered easy and simple since it makes one, more accessible to God directly. It creates a space which gives way to personal kind of relationship with the Almighty or the Creator eliminating any intermediaries. This aspect of bhakti attracted large number of people who began to follow these paths to attain salvation and hence, this became popular among the masses from all social backgrounds. The doctrine of bhakti as well as its practice can be traced to remote antiquity and infact medieval thinkers constantly appealed to these sources to give a long historical past. Therefore historically Bhakti manifested itself as early as Vedic hymns, but gradually developed through the time till medieval period when it reached its climax. A new wave of emotionalism spurred by a longing for a personal god who was addressed in the vernaculars is one of the main features of medieval Bhakti and this appears as a response to the existing situation. Emerging from the southern regions, we find this movement spreading in North and thence to Bengal, Mahrashtra, Kashmir, Gujarat and Assam.
The Bhakti movement is a very good example of unity in diversity in Indian culture and a vibrant living tradition that is very much a part of our plural identity and rich cultural heritage. It is one of the strengths of Indian civilization to accommodate a wide variety of voices which to the outsider may seem contradictory, confounding, disorganised and illogical. It is in this rich tapestry of creativity that the many voices interact over time to produce many hybrid forms which keep the vibrancy of Indian civilization alive as they are responses to a wide variety of situations from the homestead, village to the regional and universal. Today our myopic readings of the past using singular frames of references has brought about rigidity in public life leading to communalism that are based on watertight compartmentalization of identities, rather than as a fluid view of the past which stands as a negation of all that the Bhakti saints stood for. Though this movement occurred in many parts of India over the centuries, there were many regional variations. Sustaining this vibrancy over a vast spatial and temporal canvas was a common thread running through out this movement exemplified in the ways of questioning the existing religious system and promoting socio-religious egalitarianism. The Bhakti saints wanted the religious space to open up and provide alternative spaces to the existing one.
The historical works on Hinduism written prior to the nineteenth century by western scholars did not mention the  term bhakti. From the second half of the nineteenth century different theories were propounded on the character of the movement and its origins. H.H. Wilson first used the term Bhakti to denote Krishna bhakti of the Vaisnavas of Bengal. It was George Grierson who developed the idea of bhakti as a religion, a cult and a doctrine. Orientalists like William Jones, H.T. Colebrook, closely related to the, “Asiatic Society of India” looked back at the glory of the past and covered a wide range of themes in Sanskrit literature, on philosophy and Hindu religion in general. Theorization about Bhakti really started with the Orientalists who conjured up images of an exotic opulence and the othering of India commenced. European constructions of the varied images of Asia started within the context of imperialism as a binary opposite to demarcate the progressive and the backward. It was a period that saw a discourse of power which characterised a particular set of social, economic and political relations between Europe and its colonies. Many of the ideological texts transformed the ideals and normative values of ancient Indians as standard and this led to distortions of reality as there is a fundamental disconnectedness between the text and the context. The Orientalists created Hinduism in their own image. Most of their theoretical formulations were based on contemporary Christian reaction in Europe against explaining God in abstract and personal terms.
In many modern day writings also, the bhakti movement is treated as literary or at best an ideological phenomena which had religion at the basis of its inspiration and more works have been written about this movement by Literateurs than historians. This has mainly happened due to the lack of emphasis on social history and also the lack of analytical tools in history writing till the 1950’s and hence the socio- economic factors that have been responsible for bringing in a change have been ignored. Since most of these saints were from marginalized groups and were composing and writing in the vernacular literature in an oral tradition which was passed down from generations, there is a major problem of sources for the historian as these text presupposed an oral consciousness that is improperly translated when we print the same and is only now being recognized with the interest in consciousness studies. There is very little historical information on these saints and they were not patronized by any kings or court biographers and therefore were outside the established system. Nor is any religious hagiography available about them from the time they deemed to have inhabited. Much of their history has been reconstructed much later by writers and biographers arising from the emerging anglicized middle class. Yet most of these saints are very much alive in the popular culture and the day to day life of India in different regions and are the most important link to the continuities between past and present in Indian culture.
Over the centuries, the transformation of the oral tradition into a textual one saw many accretions and these interpolations served to marginalize, domesticate or valourise certain events and personalties using a plethora of devices but it is still possible for a historian to arrive at the essence of the texts by deconstructing the meanings using an array of methodological tools borrowed from different disciplines. The text is therefore seen in its historical context against the background of larger questions that conditioned the socio- economic and politico-cultural context rather than probing into the literary nuances and niceties since the focus is on broad socio-religious patterns.
There are multiple dynamics of any movement seen in the constant interplay of opposition and co-option and a gendered reading offers us such glimpses where we see alternating phases of radicalism and domestication. We see that bhakti created an alternative space for women by stressing that all were equal in the eyes of God and everyone could realize God. Thus, we had a large number of women who practiced Bhakti. There is a palpable tension that finally comes out in the divergent views of the women who were very outspoken and wanted to lead life on their own terms and conditions and the men who were not willing to provide this space to them, implying that they wanted reform to end at a certain point. While the women wanted to lead life as they pleased, the forces of reaction set in as it would deprive the men of their domestic dominance and these contradictory features manifested to reinforce and reiterate the already existing notions of women, family and their roles.
Doubts have been raised about this movement being a mass movement and if at all the label of movement can be applied to this vastly different streams and practices as they emerged in different parts of India. No doubt there were wide differences regarding the attitude of these saints to scriptures and their agendas of social reform and many of them especially the sagun Bhaktas never challenged the living conditions of the people and the over all aim of the movement was individual salvation and mystical union with God, through the help of a guru, yet it cannot be denied that they did question the existing hierarchies in their own way and were critical of many of the structures and institutions. Regional flavours and complexities only added to finding newer solutions to what was essentially a same problem and thus we find the substance of the Bhakti saints having a remarkable similarity.
A rationale for such a study is too obvious to need any justification for there are many conventional explanations that do not lead us to a holistic understanding of the Bhakti movement. Religion has always played a major role in the establishment of a cultural identity, which is firmly rooted in history. The abiding image of India today as a modern day nation ready to move on to the 21st century and yet rooted in tradition is primarily due to the presence of both old and new in multiple combinations. Socio-cultural continuities and discontinuties resonate in India from the past to the present especially in the arena of religion and culture. The need to see the complex linkages between the large scale socio-economic changes in the Indian subcontinent and the contingent expression of religiosity as intertwined aspects without demarcating them into separate blocs was another need. There is also a need to read the sources in their context otherwise we would end up reading history backwards with an idea of fixed religious boundaries that are commonplace nowadays where as in the medieval period, socio-religious boundaries were being constantly redrawn. One only hopes that through this endeavour, it would be possible to bring out a vibrant tradition in all its complexities giving space to all facets and themes in history.
Rekha Pande

Acknowledgements

As a Feminist historian, interested in issues of religion and culture, the Bhakti Movement has always interested me as a very good example of India’s unity in diversity and the continuities in Indian culture and civilization between the past and the present. While growing up I had always heard the Bhajans of Kabir and Mira, Surdas and other saint poets being played and sung at home. Even then and at present the songs of Mira, Surdas and Kabir sung by Neela Bhagvat and Subbalakshmi continue to stir and motivate me and bring about a soothing effect in the day to day life. Never did I imagine as a student that this could be an area of study. Today, I experience a fundamental disconnect between the Bhakti that we were schooled in and practiced at home to the anachronistic political readings of religion in contemporary India, which motivated me at some point or the other to embark on this exercise. This is a humble attempt to set the historical record straight by rehabilitating the vibrant traditions of Bhakti as practiced in different parts of the country in a language accessible to the lay person avoiding the hyperboles of jargonisation and excessive word play.
During the days of my graduation, I was slowly drawn and eventually became interested in Religious and Cultural history especially the Bhakti movement. For this I cannot find words to thank my teachers in the University of Allahabad, Prof. Rekha Joshi, Prof. C.B. Tripathi, Prof. Radhey Shyam, Prof. Chandra Pant and Prof. Farooqi who inculcated a deep love for medieval history. Sitting in those class rooms one was transported back to the medieval times when this history was being made. The love inculcated for history from those days has always been a major source of inspiration. I recollect with fond remembrance the class lectures by Prof. Tripathi on the Bhakti movement. The various discussions which we had related to Bhakti movement always remained fresh in my mind including the recital of many of these songs sung by the saint poets. I was very much influenced by the fact that here was a movement which arose from the lower sections of society and could challenge a religious system which was well established. That it provided a little space to women was an added attraction of this movement. I am deeply indebted to all my teachers in the University of Allahabad for opening my eyes to such a fascinating movement.
I like to thank my students, Dr. A. Padma and Dr. B. Lavanya for helping me with the Telugu translations. I also acknowledge the assistance provided by P.S. Harish. They are all very enthusiastic about their work and I sincerely hope all of them will carry forward this love of history in their future works. I owe a lot of debt to my various friends, working in different disciplines and in the Department with whom I can always discuss and share many thoughts.
I extend my thanks to Prof. Jaganathan, a renowned Prof. of chemistry, who is well versed with Shri Vaishnavism, his second love, its philosophy and literature and shared his knowledge with me. I would also like to thank Dr. Suruchi, from the Department of Sociology, and Marsha Henry from the College of Social work, University of Bristol, U.K. who had the patience to sit with me for hours discussing the various nuances of the movement and making me see things differently.
I would like to thank Prof. Gopeshwar Singh from the Department of Hindi, Delhi University for spending a lot of time with me and explaining the Bhakti literature. To him I owe a lot of gratitude for sharing many of his books of Hindi literature. I also would like to acknowledge the help received from a young research scholar, who not only shares my interest and passion for Bhakti literature but also shares my name, Rekha Pandey, for introducing me to the books of Hindi literature and giving insight into the poetry of the saints.
I, especially like to thank Dr. M.N.Rajesh from the Department of History, University of Hyderabad, for helping with all the computer know how and always being willing to find time for my work inspite of his busy schedule. He made me familiar with the literature in Tamil and has often translated a lot of this for my benefit. I am highly indebted to him for going through the rough draft of my book and suggesting valuable inputs.
I would also like to thank Mr. B.P. Garg of Gyan Publishers for bringing out this book in its present form.
I also like to acknowledge with gratitude the help given by Shaheen, who took care of my daily household chores and thus gave me enough time to concentrate on my academic India smoothly.
I am not sure how far I would have been successful in carrying work. But for her help in seeing that the house ran out my academic work.
Last but not least I like to thank my husband Dr. Suresh Pande, Principal Scientist, ICRISAT for his continuous support in all my activities. He has been the rock that has always stood firm behind all my achievements and efforts and I can always rely on his unflinching support. But for his efficient and programmed managing of the house and the children in my absence, my field trips could not have taken place. I would also like to mention my children Sankalp who assists me a lot with all the computer work and the twins, Tarun and Varun who managed well in my absence and never complained that I was out for too long and busy with my reading and writing. They have learnt to manage things and this has been a big comfort. They provided me the much needed diversion when things became too hectic.
Rekha Pande
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